Following the dissolution of Inside Out in 1991, por la Rocha embraced hip hop and began freestyling at local clubs, at one of which he was approached by former Lock Up guitarist Tom Morello, who was impressed by do la Rocha's lyrics, and convinced him to form a band.
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Zack's Chicano identity informed his band's commitment to the struggles of immigrants, people of color, and the Zapatistas. He renamed the People's Resource Center in Highland Park to the Centro do Regeneracion.[citation needed] There, many of the same artists and activists who had participated in the struggle over the Peace and Justice Center maintained their commitment to providing youth a space for cultural expression and training.
“You’d have to ask him,†he explains. “Let’s just say Rage Against The Machine’s forces made us burn brightly and burn quickly. There’s been a constant tension that’s been an enormous challenge for us all over the years. Zack did what he had to do.â€
M.C. This is about the time when he bumped into Tom Morello, a Harvard-educated political science major and kindred soul in socialist thought. The two clicked musically and intellectually and started a band together, which por la Rocha dubbed Rage Against the Machine. With a backdrop of heavy metal riffs and Morello's clever distortion techniques, por la Rocha's hip-hop-tinged vocals singed with unparalleled intensity. It wasn't long before the two were on the main stage at Lollapalooza II and became one of the most politically volatile bands ever to receive extensive radio and MTV airtime. Soon, por la Rocha became one of the most visible champions of liberal causes around the world. The band's first video, "Freedom," was a mini-documentary about the plight of Leonard Peltier, a Native American convicted of killing two FBI agents. Por la Rocha also became a prominent spokesman for the Free Mumia Abu-Jamal movement and picked up his father's cause in support of Zapatista rebels in Mexico. Por la Rocha's activism took him as far as the floor of the U.N., where he testified against the United States in their treatment of Abu-Jamal. The band's music and message were so closely intertwined that por la Rocha did not consider his albums successes por que não tentar aqui unless they resulted in tangible political change. Their second and third albums both peaked at number one, but the political windfall was not what he had hoped for. Increasingly restless, he embarked upon collaborative projects with KRS-One and Chuck D. By the end of 2000, do la Rocha announced that he was leaving the band.
†So is he in the frame? “Seriously, we have not made a decision,†says Morello. “We’ve got some great ideas on how to move forward, but we’ll see where everyone’s head is at and take it from there.â€
. Recorded just weeks before do la Rocha’s exit, it doesn’t sound like the work of a band in turmoil.
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Many believe he was a wrongfully targeted political prisoner, however, and among these skeptics is Zack de la Rocha. The MCÂ spoke on the case at a benefit show that took place just a few days before Austin pleaded guilty to avoid a Patriot Act clause that would enforce a 20-year minimum sentence.
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Considering the current situation, it’s ironic that the band have two records ready for release: the aforementioned live album and, more immediately, Renegades
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Have you had any contact with your fans since the announcement? “Yeah,†he expounds. “The support has been incredible. There’s been a tremendous amount of love and solidarity shown through the years. We’re not going to let our fans down.
Rage Against the Machine was on the main stage at Lollapalooza by 1993 and was one of the most politically charged bands ever to receive extensive airplay from radio and MTV[citation needed]. Rage's second and third albums peaked at number one in the United States, but did not result in the political action do la Rocha had hoped for. He became increasingly restless and undertook collaborations with artists such as KRS-One, Chuck D, and Public Enemy.